Or chroma-keying, but that doesn't take real skill. It just came out wrong when I rendered it and I didn't feel like fixing it.

Oh, I'm only uploading this to prove that I actually did pitch shift (as is clearly visible in the background screen-shot of the actual project, which is a direct rip from the .veg i used for the main project), and to prove that the hardest part of the song has perfect-pitch.

In no way am I implying that this song is particularly hard, nor do I say that this section of arpeggios are the hardest arpeggios (in truth, all arpeggios are hard to a point, once you find the basic pattern the rest is common sense based upon the key and chord progression of the song). In short, I'm not saying that I'm all that great, just good enough to be able to pitch shift arpeggios.

I still stand by my rainbow tylenol video, the solo really isn't that hard if you are working in a daw or tracker, with the midi to follow. Doing this video has shown me that pitch-shifting isn't quite as hard as I thought it was, but I would still have the midi as reference when doing that particular solo, or any solo. I still respect anyone who has pitch-shifted that solo in vegas or whatever tool you use, which that particular video wasn't really pointed at.

In fact I still haven't stated the true point of that video, which will remain a secret. If you take either that or this video in a bad way, well I'm sorry my friend, but you may be a little too serious, even though I am being completely serious about both of the videos. If it's a misunderstanding, I can get that, but I've learned from my mistakes and have tried to make myself absolutely clear in the point of this video.